( Interview · Art & Culture )

WooByoung Yun

A painter of plaster and colour, on light, perception and the reality that sits just beneath what we see.
Read
Words
A. Sakae
Studio
Goyang, South Korea
Reading
6 minutes
Woo Byoung Yun in his studio in Goyang, South Korea
I first came across Woo Byoung Yun’s work through Francis Gallery in Los Angeles. His abstract and minimalist approach, particularly his exploration of perception and materiality, immediately stood out.
There is a quiet depth to his paintings: layered, textured, and seemingly simple yet conceptually rich. Here he talks about inspiration, process, and how his work has changed.
Woo Byoung Yun at work in his studio in Goyang, with paintings leaning against the wall
001–02In the studio, Goyang
What inspires your art and creative process?
Light has the properties of particles and waves, but we cannot feel the properties of waves in terms of human perception and physicality. So I am interested in reality beyond that, what we see, what we think. We can appear completely distinct from nature based on our perceptions, ideas, and particle characteristics. However, if we see reality from a wave perspective in the microscopic world, we may be only waves that cannot be distinguished.
How do you approach a new piece?
I’ve been working on a series called Superposition since 2018. First, I sketch in a notebook the process of patterning into a specific shape, rather than reproducing what I feel inside or through nature as it is. When I find a sketch I like, I work with plaster and gouache.
It is the work of kneading plaster in water, applying it several times, colouring it again with paint, and then scraping the surface so that the plaster and the paint are in harmony. Colour has strong wave properties and plaster has strong particle properties. I wanted to embody the two qualities I couldn’t meet on one surface.
Woo Byoung Yun, Superposition 23-06-211, 2023
001–03Superposition 23-06-211, 2023
How did your style move from representation to abstraction?
At first, I tried to express the subject simply by depicting objects with acrylic paint on canvas, like painting the nightscape and the dayscape on one surface at the same time. But to express the subject, I felt I had to depart from describing what was seen, so I made flat, abstract paintings.
How did plaster come to shape your process?
I thought it would be good if I could convey the subject with the material alone, and as I explored, I began to use plaster. At first I worried about its fragility. One day a finished work was knocked and its surface scratched, and when I tried to repair it, the white plaster that suddenly appeared felt like the invisible reality of the work coming to the surface.
Rather than covering it with paint again, I began scratching and exposing the plaster inside. That became the technique at the centre of my work today.
Woo Byoung Yun, Superposition 23-06-214, 2023
001–04Superposition 23-06-214, 2023
Woo Byoung Yun, Superposition 23-05-206, 2023
001–05Superposition 23-05-206, 2023
( Woo Byoung Yun )
“Even if what we see and believe seems true, we don’t have to blindly believe it.”
Where is the work going next?
Recently I’ve been working on a little three-dimensional and figurative work, away from flatness and abstraction. I think it could bring out the themes I think about in a richer way, through things that are material and figurative.
How do you challenge yourself to grow?
It is said the human brain has not changed much since we were hunting and gathering. What we see is reconstructed by the brain to make life more survivable. But there are problems in the world now that cannot be solved from that perspective. Quantum mechanics, electronics and AI already use realities beyond what we see, yet there is still a vast world we cannot know. I hope my work can bring those ideas into individual lives.
Plane, Line, DOT
A parallel series to Superposition: the same patience, worked in line and point.
Woo Byoung Yun, Plane, Line, DOT 19-02-09, 2019
001–06Plane, Line, DOT 19-02-09, 2019
What is the most valuable lesson the work has taught you?
Even if what we see and believe seems true, we don’t have to blindly believe it. The fact that it may not be the whole of the real world can make our existence humbler, less violent, less compulsive, and more free. So I want to keep exploring and expressing a reality more vivid than what we see.
Woo Byoung Yun, Plane, Line, DOT, 2020
001–07Plane, Line, DOT, 2020
Woo Byoung Yun, Superposition 23-07-216, 2023
001–08Superposition 23-07-216, 2023
Works shownCourtesy of the artist
001–03Superposition 23-06-2112023
001–04Superposition 23-06-2142023
001–05Superposition 23-05-2062023
001–06Plane, Line, DOT 19-02-092019
001–07Plane, Line, DOT2020
001–08Superposition 23-07-2162023
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