Daniel Arsham’s 20 Years at Perrotin, New York: eroded statues, crystal and time.
Before the seasonal rhythm took shape, there were these — written in-between, without the structure that now guides us. Some are portraits of places, some of people, others brief reflections. You may find a few you return to, others less so, but together they carry the trace of beginnings. They are not polished for pattern, but they belong to the path that led here.
Daniel Arsham’s 20 Years at Perrotin, New York: eroded statues, crystal and time.
Pierre Jeanneret’s Chandigarh chair: teak, cane and a city built from nothing.
Josef Albers, the Bauhaus and Homage to the Square: a life spent on how colour behaves.
Mark Rothko spent a career narrowing painting down to colour, edge and scale.
Inside Serge Gainsbourg’s house at 5 bis rue de Verneuil, Paris.
White Cube’s first permanent American gallery, in a 1930s bank on Madison Avenue.
A photographer of the British landscape, on history, public space and the cracks in modern society.