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On Fragrance
Yayoi Kusama, INFINITY-NETS [EVVIOF], 2017. Featured artwork/image is cropped. Courtesy of David Zwirner.

Words MILES REDFER
Photos JASPER LENNOX

Fragrance is matter in flight. Molecules scatter through air, brushing the olfactory receptors, sparking memory, mood, or place. You don’t perceive the scent itself but what it summons: a shadowed garden, a cedar-lined room, a moment’s quiet clarity. Chemistry meets reverie.

To wear fragrance with intention is to reject its use as mere signal. It’s not for announcing presence or chasing trends. In a considered life, scent extends the self, subtle, aligned, deliberate. It weaves into the day’s texture, as much a part of you as breath or step.

Choosing a fragrance demands patience, like selecting stone for a mosaic. It lives differently on each wearer. Bergamot may brighten on one wrist, soften on another. Oud might smolder in humid air, yet retreat in winter’s chill. A scent that blooms in the bottle can fade on skin, or one that starts faint may deepen with time. There’s no hurry. Test it across hours and weathers. Let it settle into your orbit.

History carries this wisdom. Ancient Egyptians distilled myrrh for sacred rites, its resinous warmth lingering on linen. In medieval Damascus, rosewater was sprinkled on guests, a gesture of care and luxury. Today, a single note, vetiver’s dry earth or jasmine’s fleeting bloom, can anchor a composition or stand alone. Complexity isn’t always the answer. Sometimes a single thread speaks loudest.

Application is a ritual, not a performance. A touch at the pulse points: wrist, neck, collarbone. Never oversprayed, never forced. Scent should drift into awareness, discovered in passing, like a breeze through an open window. Its presence lingers in the space you leave behind.

Storage is its own discipline. Light fractures fragrance. Heat hastens its decay. Keep bottles in cool, shadowed places, drawers or cabinets, away from vanity’s glare. The vessel may be art, but the liquid inside is the work. Protect it as you would a book’s pages or a linen’s weave.

Over time, a few scents become yours. A crisp citrus for morning’s clarity. A sandalwood for evening’s weight. A floral that shifts with the season’s light. They’re not chosen to impress but to belong, as instinctive as your handwriting, as familiar as your shadow. They don’t compete with your clothes or words. They complete them.

To wear fragrance well is to understand its silence. It’s not about what others smell but how it steadies you, how it aligns skin, air, and intention. It’s the pause before you step into the world, the clarity of moving through it.

Note to readers:

Why Yayoi Kusama? Her work, like scent, is vivid and elusive. Her polka dots and mirrored rooms capture infinity in a moment, much like a fragrance evokes vastness in a single breath. Kusama’s art doesn’t demand attention. It invites immersion. So too does a well-chosen scent. It’s not adornment. It’s atmosphere.

— Miles Redfer

Words MILES REDFER
Photos JASPER LENNOX